Luc Besson‘s “ ” is a gloriously epic space opera filled with jaw-dropping visuals. We sat down with the French writer and director to find out how cutting-edge technology allowed him to finally visualise the world that’s been in his head since he first read the “ ” comics as a child.
Critics have lauded the spectacular effects and riotously imaginative universe conjured in the film. Twenty years after he made “The Fifth Element” the old-fashioned way, Besson was excited to adopt digital techniques to turn actors into bizarre and intriguing extraterrestrial creatures. “Imagination is the limit,” he says. “I could turn you into an elephant in three seconds.”
Criticism of “Valerian” focuses on the muddled story and the casting of Dane DeHaan as the lead. But there’s no denying the gleeful energy and positivity of Besson’s passion project. It’s a story about overcoming division to find unity and common ground among even the most dissimilar and disparate of alien races. In fact, Besson believes that the arrival of alien life would have a unifying effect on the human race. “I can’t wait”, he laughs.
“Valerian and the City of a Thousand Planets” is in theatres in the US now. It rockets into the UK on 2 August and Australia on 10 August.
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